Press Acclaim
– Marcia Henry Liebenow, violin
"Liebenow’s interpretation of the score [Shirish Korde’s Svara-Yantra
Concerto for Violin, Tabla, and Orchestra]
was impressive. Her sound was rich and sonorous in the lower
passages while light and yet penetrating when the melodic
phrases floated into the upper registers. She seemed to be very much at ease,
displaying great artistry with the bending lines and microtonal
inflections needed to express the ragas used for each movement. "
James
Chaudoir
Post Crescent News, Wisconsin
"I
chose to work with Marcia because I think she is a fabulous violinist."
Antonio
Pompa-Baldi, pianist
Grieg Violin Sonatas, Centaur Records
“I
was enthralled with Liebenow’s energy and drive. Playing from memory [Bach Partita No. 3 for Solo Violin], she attacked this piece with a
kind of abandon. I’ve seldom felt so
riveted.”
Gary
Panetta
Peoria Journal Star
“…we
heard violinist Marcia Henry Liebenow in a positively
sensational performance of Vittorio Monti’s well-known “Czardas,”
a virtuoso piece which certainly was put on up-front display here. Large,
luscious tone, slashing attacks, fearsome accuracy and a long measure of gypsy
fervor marked this as a very special performance…the violinist won a cheering ovation.”
Erik
Eriksson
Northeast Wisconsin Music Review
“Henry
Cowell’s string trio Seven Paragraphs consists of just over a
half-dozen tonally oriented character pieces—brief, but purposeful and
chockfull of personality and craft… There were compelling presentations by the
intelligently polished Concordia Strong Trio (Marcia Henry on violin, Leslie Perna on viola, Darry Dolezal on
cello.
David
Cleary
New Music Connoisseur magazine, New York
“The
real sugarplum of the evening was the Violin Concerto in C Major, Op. 48
by Dmitri Kabalevsky…. Technically
Henry’s performance was splendid, and musically, she was inspired. In the
allegro her playing was full of robust Russian passion. Her andantino was
truly cantabile – her instrument sang the mournful, haunting melody. The
piece concludes with a vivace giocoso, a happy,
dancing movement in which Henry’s sweet, lambent artistry is spellbinding.”
Stuart
White
Great Falls Tribune, Montana
“Ms.
Henry lived up to all expectations the audience might have had, and more, with
a brilliant performance of the concerto. Her depth of tone was exceptional and
her interpretation of this Romantic work was a delightful musical treat.”
(Bruch Violin Concerto No. 1 in G Minor)
Hobbs Daily News-Sun, New Mexico
“Henry’s
playing in the third movement sizzled with dark sensuality in the lower strings
and brilliance in the high strings. The fourth movement was heart
wrenching in its soulful beauty. In this movement, Henry achieved a
solitary magic that one would not expect from a musician with so many demands
on her time and energy other than solo performance…. She could not have
possessed the piece any more completely in heart, soul and fingers….” (Lalo
Symphonie Espagnole)
Philip
Marcus
Peoria Times-Observer
If
you crave brilliance and fire in your violinists, Henry certainly can
deliver…. She shined particularly brightly in the quick-moving third
movement, which is studded with double and quadruple stops. But if you
crave heart in your fiddlers, Henry’s got that, too. She seemed as taken
with the music as the audience, and wrung an almost yearning, romantic effect
out of the themes from the quieter, more poetic second movement.”
(Bruch Violin Concerto No. 1 in G Minor)
Gary
Panetta
Peoria Journal Star
“The
highlight of the concert was the sensitive and skillful performance by Marcia
Henry of Ralph Vaughn William’s “The Lark Ascending.”
Captivating the audience from the opening bars, Marcia Henry showed … why she
has national ranking among violin soloists in America. Her technique in bowing
the delicate passages was delightful, giving the audience a clear tonal image
of a lark in joyful flight. Bravo!”
Emmett
Cohagen
Hobbs Daily News-Sun, New Mexico
“Highlight
of the evening came with Jacques Ibert’s Two
Interludes for Flute, Violin and Harp. Here the flute part was
performed by Betty Lewis who, together with violinist Marcia Henry and harpist
Faye Seeman, moved through these two gossamer studies
with subtlety and elegant playing.”
Erik
Eriksson
Resorter Reporter, Wisconsin
“Marcia
Henry must love chamber music. She never sounded better than she did March
4 at the first-ever concert of her brand new group, the Concordia String
Trio. Violinist Henry, violist Leslie Perna and
cellist Darry Dolezal set a new standard of
excellence for chamber music performance in Peoria. They had the telepathic
ensemble and bold individual virtuosity that one hopes to hear in this very
demanding branch of classical music. Along with trios by Schubert
and Beethoven, they played the world premiere of a new trio written
especially for them by American composer Alan Schmitz. They also
played a trio written in 1988 by French composer Max Du Bois.”
Phil
Marcus
Peoria
Times-Observer
“Marcia
Henry displayed the tonal beauty and virtuosity which have won her a place on
concert stages throughout the United States and in Europe. The selections the
two musicians chose were both varied and demanding. The Leclair D Major Sonata, stately and
rather formal, contrasted with the warm, melodic Mozart Sonata in E
Minor, K. 304, in which Brandt and Henry communicated
marvelously.
Then
came the Dvorak Romance in F Minor…. A piece of pure
romanticism, it displayed Ms. Henry’s strong bowing. The Brahms Sonata
in A Major was still another example of two artists working together
superbly, blending the rich sounds which the piece demands of piano and
violin. The last programmed piece was a short set of Rumanian Folk
Dances, arranged by Bela Bartok. As an encore Henry and
Brandt gave a most pleasing rendition of Rachmaninov’s hauntingly
melodic Vocalise….”
Mike
Kenny
News and Views